The wooden drawer units © Pitt Rivers Museum |
Box storage © Pitt Rivers Museum |
After having embarked and completed the rather large and daunting project of cataloguing and improving the storage of plant fibre clothing in the collections at our store we turned our attention to a more manageable project to see us through the summer. The Museum has a large collection of gourds kept in a less than useful wooden drawer system at the store. Gourds are particularly vulnerable to getting broken or damaged due to their delicate composition, odd shapes and sizes and varying thickness/thinness. And so, to this end, for the well being of the gourds the wooden drawer system is being replaced with conservation grade boxes and packaging.
The collections of the Pitt Rivers Museum and indeed
ethnographic collections all over the world demonstrate imaginative use of the
gourd. Gourds of all shapes and sizes are a natural resource across the globe
and in societies today gourds are still being used as bowls, vessels, hats,
musical instruments and for many other utilitarian purposes. Conservator Jeremy
Uden and myself have been surprised by the variety of shapes, sizes and uses of
the gourd and the varying thicknesses from eggshell thin to an inch or more
thick. We are half way through the cataloguing and re-storage project and are
getting an eye for identifying preferred decorative techniques from country to
country. As well as gourds we are also working through vessels made from seed
and nut including coconut vessels mostly from Oceania. Coconuts are readily
available to Pacific Islanders and prove useful repositories for carrying and
storing water and drinking water and kava from.
Above: gourds and coconut vessels in the process of being catalogued and packed © Pitt Rivers Museum |
Gourd of the Lengua Indians; 1903.19.3 © Pitt Rivers Museum |
Decorative techniques also vary greatly, with surfaces being
incised with linear, figurative and geometric designs and decorated with burnt
patterns known as pyro engraving. Coconut shells are inlaid with pearl shell
and shell beads for aesthetic effects and white lime rubbed into incised
designs to highlight the pattern. A particularly ingenious method of carving
the lid so that it fits perfectly onto the gourd vessels is that of the Lengua Indians of the Paraguayan Chaco, South America. One end of the gourd is cut
from the other with a zigzag line. Some of the coconuts and gourds have been
decorated with perfect circular patterns created with a compass. We have more
than one example of a coco de mer, or double coconut having been refashioned
into a Hindu Sadhu's begging bowl with metal chain suspension for wearing around
the neck. The value of the gourd as a utilitarian object is also emphasised by
the local repairs found on some of them. Rather than make a new one, someone
has taken the time to repair a damaged gourd already fashioned as a vessel. Later in the year the Museum will have a temporary display curated by our conservation department focusing on objects with local repairs 'Preserving What is Valued' including gourds. Some of these techniques and
methods of using and decorating gourds can been seen on display in the Museum
Court in the Geometric Form in Art case C.145.A and also in musical instruments
particularly stringed lutes and zithers where the gourd forms the resonator part of the instrument.
Hindu Sadhu's begging bowl made from a double coconut; 1933.51.65 © Pitt Rivers Museum |
Above, two gourd vessels which have local repairs where the gourd has split and broken © Pitt Rivers Museum |
Above are coconut shells fashioned into water carrying vessels. The top photograph shows how a plant fibre basketry frame has been made to cradle the two coconuts and the one below has simply been decorated with pearl shell; 1887.1.578 & 1933.38.27 © Pitt Rivers Museum |
Above; gourds decorated with pyro-engraving technique, where burn marks applied often with a poker have been used to make patterns and decoration on the gourd; 1900.55.431 & 1934.8.102 © Pitt Rivers Museum |
The two gourds above have been decorated with incised designs and patterns and then rubbed with lime which is white and acts highlight the design; 1935.56.15 & 1946.6.63 .2 © Pitt Rivers Museum |
Faye Belsey
Assistant Curator
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